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(c) Definitions. <br /> In addition to the definitions contained in Article 11, Section 2 1-11 Definitions, the following <br /> definitions apply in this NNZO. <br /> (1) Arcade—A series of arches supported by columns or piers; a building or part of a <br /> building with a series of arches. <br /> (2) Articulation- The relationship of contacting surfaces to create a series of plane <br /> changes in order to avoid a flat appearance. <br /> (3) Atrium - An opening connecting two or more stories other than enclosed <br /> stairways, elevators, hoistways, escalators, plumbing, electrical, air-conditioning <br /> or other equipment, which is closed at the top and not defined as a mall. <br /> (4) Bay - One unit of a building that consists of a series of similar units, commonly <br /> defined by the number of window and door openings per floor or by the space <br /> between columns or piers. <br /> (5) Belt Course - A narrow, horizontal band projecting from the exterior walls of a <br /> building, usually defining the interior floor levels. <br /> (6) Brace - A diagonal stabilizing member of a building frame. <br /> (7) Bracket - A support element under eaves, shelves or other overhangs; often more <br /> decorative than functional. <br /> (8) Building Mass - The height, width and depth of a structure. <br /> (9) Building Scale - The relationship of a particular building, in terms of building <br /> mass, to other nearby and adjacent buildings. <br /> (10) Cantilever- A projecting beam or part of a structure supported only at one end. <br /> (11) Casement -A window with sash hung vertically and opening inward or outward. <br /> (12) Colonial Style - The style of architecture, decoration, and furnishings of the <br /> British colonies in America in the 17th and 18th centuries, mainly adapted to local <br /> materials and demands from prevailing English styles.[Provide graphic] <br /> (13) Cornice - Projecting ornamental molding along the top of a building or wall. <br /> (14) Craftsman Style - A movement that originated in England in the late 1800s as a <br /> reaction to poor-quality, mass-produced goods, conceiving of craft and decoration <br /> as a single entity in the fabrication of objects. [Provide graphic] <br /> Page 3 of 26 <br />