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United States Department of the Interior <br />National Park Service / National Register of Historic Places Registration Form <br />NPS Form 10 -900 OMB No. 1024 -0018 <br />South Bend City Cemetery St. Joseph, Indiana <br />Name of Property County and State <br />historically, though advances in public works infrastructure has now mitigated that threat, The <br />soil is somewhat sandy and the growing season is fairly typical and the temperatures moderate. <br />Due to South Bend's proximity to Lake Michigan and "subsequent" lake effect, though, winters <br />can bring frequent storms, blizzards and significant precipitation. <br />The land for the original portion of the cemetery was gifted to the City of South Bend by Alexis <br />Coquillard and Lathrop Taylor, founders of the town, platting the town and the cemetery in 1831. <br />The site for the burial grounds was chosen due to its practical proximity and simultaneous <br />respectful distance from the center of the city. Even in the very earliest days of South Bend's <br />history, City Cemetery lain near enough to city thoroughfares to provide a fairly navigable route <br />for mourners and funeral processions. <br />The style of City Cemetery originated as a municipal cemetery and developed to feature <br />characteristics of both a rural cemetery and a lawn park cemetery. Municipal cemeteries, as the <br />name implies, were right on the edge of town, bore no specific religious affiliation or exclusion, <br />and were administered by city governments. These were also very regular, as to maximize space. <br />In great contrast, rural cemeteries, most popular circa 1831 -1870, were designed as picturesque, <br />lovely garden -like settings, replete with romantic images of life and death; utilized architectural <br />elements such as fencing and coping, and began the trend of monuments and structures designed <br />to convey status and socio- economic stature. Use of the word rural, in this context, should not be <br />misunderstood to mean remote or of the countryside, as even the earliest visual documentation <br />shows houses along Colfax and LaPorte. <br />In 1831, Mount Auburn Cemetery in Cambridge, Massachusetts was developed by the <br />Massachusetts Horticultural Society as a reaction against overcrowded graveyards. It was a non- <br />denominational, non - profit business that maintained its own records on a beautiful stretch of land <br />outside the city limits. Mount Auburn, the first of its kind, was the beginning of American rural <br />cemeteries. American Rural cemeteries were common in the era of 1831 -1870 as attitudes <br />regarding death shifted from a depressing reality to thoughts of beauty and celebration of one's <br />life. The settings were designed rather than left to fill in a haphazard form. Also called Garden <br />Cemeteries, the picturesque landscape reflected the newer romantic ideas of life and death, <br />which is also evident in the imagery and iconography of the markers and monuments. During <br />this era, planners advocated park like cemeteries away from the city center in lieu of small urban <br />or family graveyards or churchyards. Use of the word "cemetery" took precedence over <br />"graveyard" or "burial ground" after the Mount Auburn development. The romantic garden <br />settings were replete with manicured plantings, asymmetric lots, and winding roads and trails. <br />Invisible to the eye is the regimented grid of roughly equal sized plots, mapped but not marked <br />on the land. Instead, trees, plants, vertical monuments, and winding trails detract from a grid - <br />like appearance. Built features though that contradicts the open garden plan are that of coping <br />and decorative fencing. This practice recalls the symmetry of a churchyard and allowed the <br />visual impact of enclosing a significant sized plot, highlighting impressive monuments, and <br />further embellishing the family lot, thus emphasizing wealth and status. <br />Lawn park cemeteries, developed by Adolphe Strauch, a Prussian landscape artist, merged <br />landscape design with a set of rules and regulations restraining the effects from wild landscapes <br />Section 8 page 20 <br />