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19 <br />The Cabin’s Place in Leeper Park (cont’d) <br />Over 80 years later, in 1996, the Historic Preservation Commission prepared a report, compiled <br />by Edward Talley, with the intention to outline the case for making Leeper Park a local historic <br />landmark. Meticulously researched, it described the history of the park, its original architects <br />and their philosophies, changes through the years, and the HPC’s reasons for the proposal. <br />This is reflected in the Common Council ordinance later in the year (8734-96) approving this <br />request, officially establishing the park as a Local Historic Landmark. <br />That same year saw the application for Leeper Park to the National Register of Historic <br />Places. The criteria listed for nomination is “Criteria C: The property embodies the distinctive <br />characteristics of a type, period, or method of construction or represents the work of a master, <br />or possesses high artistic values, or represents a significant and distinguishable entity whose <br />components lack individual distinction.” The Statement of Significance and other explanatory <br />text relies extremely heavily on Kessler’s design for the park in the context of his influence on <br />landscape design and the City Beautiful movement – “The Park is an outstanding example of <br />the landscape planning and design for a small city park of the City Beautiful era of American <br />landscape architectural design.” This argument, as explained previously, does not have <br />much application to the cabin. The listed “historically significant” dates of the park do not <br />encompass the Fur Trade era and begin in 1895; nor does it list an interpretive or educational <br />aspect of the park as a significant part of that movement. The statement’s texts lists structures <br />and other features that illustrate this style, but the cabin is never mentioned as one of them. <br />Though all documents above note the Navarre Cabin’s presence in the park as part of their <br />thorough inventory, its significance is minimized, and its provenance is questioned. None <br />cite the cabin as contributing specifically to the criteria for the park. This is not surprising, <br />as all arguments are heavily based on the area as an example of park planning in the late 19th <br />and early 20th centuries, when the national trend turned to the City Beautiful movement – in <br />which a rustic pioneer cabin would not be appropriate. In fact, the site to which the cabin had <br />been most recently moved might be considered an even less appropriate addition, as vistas <br />following City Beautiful ideals typically feature buildings and monuments on the edges, not <br />placed on a high point in the center of an unadorned expanse.