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CITY OF SOUTH BEND HISTORIC PRESERVATION COMMISSION <br />It contains rich archives and art that shed light on decades of Polish migration <br />and community formation for historians. It is an open-air museum containing <br />over 100 years of Midwestern architectural history, from Renaissance Revival <br />to Mid -Century Modern, on a single site. <br />The story of struggle, written in the bricks of St. Adalbert, etched into its <br />monuments, painted on its walls, is an operatic ode to the intertwined histories <br />of migration and labor in this city. More than the Oliver Mansion, more than the <br />JMS building, the complex of buildings and monuments at St Adalbert best <br />encapsulates the struggle and legacy of industrial South Bend. As much of <br />South Bend's industrial heritage, such as large segments of the Bendix factory <br />and Brewing Association building, continue to crumble, the value of St. <br />Adalbert as a dynamic and wholly intact testament to decades of industrial <br />history is greatly heightened. <br />Over the past two years, I feel extraordinary privilege to have compiled the <br />history of St Adalbert and to have worked closely with such wonderful <br />community members on the church's restoration committee, but I would be <br />remiss to only speak about St. Adalbert's past. South Bend owes a great debt <br />to the Latino community for continuing to preserve St. Adalbert. As St. Adalbert <br />has been a refuge for Polish culture for over a century, so too now it is a living <br />center for our Polish and Latino heritages. As a historian and architecture <br />writer, I can think of no greater monument in South Bend meriting inclusion in <br />the National Register of Historic Places. <br />Tonight, I ask the Commission to join us in preserving and promoting St <br />Adalbert as a national significant site of architectural, labor, and migration <br />history." <br />Commissioner Andrews: "That's fantastic. Thank you, Gavin... Thank you <br />so much for compiling that and kind of helping us to see the bridge <br />between the Pols and the Latinos who now take such great care of this <br />beautiful parish. Is there anything else that you'd like to add just from <br />your experience the last two years there?" <br />Gavin: "Just that it's been wonderful and to thank Don and Benito and Shelia and <br />Kil and everyone else in this room who has helped me put this together. I first <br />reached out to Adam, at the invitation of the parish, actually. I had known about <br />St. Adalbert, but I became involved directly in this project through the artist's <br />granddaughter, John Mallin, who maintains his archive, and she wrote to me <br />and said, you know what they're doing at St. Adalberts, right? And I had no <br />clue of the scope of this project, which as Don might be able to tell you later, is <br />to put together a 10-million-dollar restoration of the church, stabilize the <br />building and maintain all of the invaluable paintings inside. So, it's been an <br />incredible experience to be able to engage in such meaningful public history, <br />especially around shared histories of Polish and Latino migration and the <br />prejudice that both groups continue to face." <br />Don Popielarz, 2805 Sunnydale, St. Joseph MI: <br />"We are in the beginning stages of a restoration of the church. We have <br />received permission from Bishop Rhoades to proceed. We have, the parish at <br />large is very, very supportive of our endeavors. There was a letter sent by <br />Father Ryan, which I'm sure everyone has seen that. He mentions also that <br />Bishop Rhoades gives his approval and Diocese's approval to this project. Our <br />plan is to seal the envelope so that there's no water coming in, so there's no <br />destruction. In some of the pictures you can see where there's water damage. <br />We've hired architect Kil from South Bend, who is well versed in architectural <br />historical preservations. I'd be happy to answer any questions that you have <br />Page 13 <br />