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HPC of South Bend and St. Joseph County - Standards Update Draft
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HPC of South Bend and St. Joseph County - Standards Update Draft
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https://www.indianalandmarks.org/wp-content/uploads/2020/11/KUA-Signs.pdf
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City of South Bend and St. Joseph County Historic Preservation Guidelines 98 <br />For More Information: Signage <br />A sign serves to attract attention and to convey information . Signs in commercial districts or those that are installed on a residentially de-signed site used commercially should be developed with the overall context of the building and of the area in mind . Historic signage that is no longer used—especially neon signs or those carved into the materials of the building are historic with the preferred path to retain . <br />The National Main Street Center offers good advice about the development of signage for your building here . <br />Best Practices <br />• Determine what type of sign you want—mounted on the building, projecting, on an awning? <br />• Bigger does not equal better—be creative . <br />• One approach does not fit all—consider what will complement and enhance your specific building (and its surroundings), and your business. <br />• Scale signs appropriately for the building—small signs are lost on large buildings; oversize signs can cover windows and architectural detail. <br />• Plastic back-lit signs are not good options for the district. <br />• Murals should be reversible—do not paint previously unpainted masonry . <br />• Consider murals mounted on panels in a frame that is attached in mortar joints—easily removable for new image or to refresh paint . <br />• Vinyl murals should not be applied to brick without testing to insure it can be removed without damaging brick . <br />• Signage colors need to be in sync with the overall color scheme of the building and the overall vision for the district . <br />Murals <br />The creation of murals on buildings within the district is a local decision . We would encourage a discussion about the nature and <br />placement of these new artworks to form a consensus of the vision for the endeavor . When initially created such art installations can <br />provide an interesting spark . Experience has shown though that some thought should go into longer term issues that arise . <br />From a best-practices standpoint we would offer the following guidance. Murals should: <br />• Not be painted on front facades (including those facades facing both streets of a corner building) . <br />• Not be painted on unpainted masonry—especially on walls exposed from the demolition of an adjacent building . <br />An agreement should be put in place with the building owner specifically covering: <br />• Permission for the work to be installed and outlining insurance and liability coverage during initial creation and later during repainting naming owner as additional insured—see also below . <br />• Who is responsible for funding and completing the on-going maintenance and future?—repainting of the mural itself? <br />• Who is responsible for paying for repair of the building if is caused by deterioration?—associated with the mural being placed on the building? <br />• Who and what factors would allow for the mural to be painted over in the future including a sign off from the artist acknowledging <br />such rights? <br />• If the mural will be painted over—who is responsible for paying for that work? <br />• Who is responsible for maintaining the underlying building materials? While performing needed building maintenance, if the mural is <br />damaged, what are the expectations regarding it being repainted as originally created or painted over and the funding for that work? <br />Return to the Table of Contents <br />Signage <br />DRAFT
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