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United States Department of the Interior <br />National Park Service / National Register of Historic Places Registration Form <br />NPS Form 10-900 OMB No. 1024-0018 <br />Lowell Heights-Olivet African Methodist <br />Episcopal Church <br /> St. Joseph County, IN <br />Name of Property County and State <br />Section 7 page 5 <br /> <br />_____________________________________________________________________________ <br />Narrative Description <br /> <br />The Lowell Heights-Olivet African Methodist Episcopal Church is neatly sited on the northwest <br />corner of Notre Dame Avenue, several blocks south of the University of Notre Dame’s campus, <br />and Almond Court. The building, which faces east, occupies the corner but is set back from the <br />concrete sidewalks by greenspace (photos 0001-0002). The building is raised on the front with a <br />mounded front yard and it has a wide north side yard where a formal side entry is located on the <br />building. The church has a small parking area west of the building and a private drive/alley that <br />extends north from Almond Court to South Bend Avenue (photos 0003-0004). The <br />neighborhood is predominantly residential of the same period as the church, but has had a <br />substantial amount of new residential construction in the last few years. The site features a brick <br />and stone sign dating to about the same period as the church in its southeast corner (left side of <br />photo 0001). It is considered a contributing object. The site also features a memorial garden with <br />low walls/benches on the north side of the building that was developed over the last two years. It <br />is considered a non-contributing site (middle of photo 0005). <br /> <br />Exterior <br /> <br />The brown-colored brick building has limestone trim, a raised basement topped by a stone water <br />table, Gothic arched art glass windows, and a steeply-pitched roof covered with asphalt shingles. <br />A wide set of concrete steps lead to up to the entry centered on the front (east) façade (photo <br />0001). The façade has a steeply-pitched gabled parapet over its central entry bay. The entry is <br />flanked by two-story pilasters that step in at the top of the first story and are capped with carved <br />stone gables. The pilasters step in again, with capstone, near the top of the second story and then <br />are capped at the top with pinnacle-like carved stone gables. The gables are incised with an <br />arched and rosette design. The gables are carved to create flared bottom edges. This is repeated <br />in the stepped gabled parapet of the central bay. The entry is composed of a pair of wood doors <br />composed of planks and iron strap work. Each door has three narrow windows in its top. The <br />doors are set in a stone surround with segmental arched top. Three recessed panels are in the <br />stone above the arch just below a stone sill for the second story’s tall Gothic arched window. The <br />window is divided by stone tracery into four main vertical divisions with awning sashes in the <br />bottom and Gothic arched tops. The window’s large Gothic arch is composed of two receding <br />courses of brick and topped with stone trim carved with panels. Flanking the pilasters in the first <br />story of the central bay are small window windows of art glass with stone sills and lintels. The <br />central bay’s gabled parapet features flattened shoulders on the outside corners and a steeply- <br />pitched gable wall capped with stone. The stone cap is shaped with the gable’s brick but <br />generally follows the rake on top, except at the bottom of the gable which has flared edges. A <br />cornerstone is located at the bottom of the first story on the north end of the central bay. It is <br />carved with “ANNO DOMINI 1923” on its east face. To each side of the central bay, the façade <br />steps back to two-story stair towers that flank the central bay, but face north and south. The <br />towers are stepped in at the top of the first story with stone caps on the corners. The top of the